Rollins in 3/4 Time

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Sonny Rollins: a very conscientious blindfoldee.

(Photo: DownBeat Archive)

Sonny Rollins: Sonny’s Side of the Street

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Sonny Rollins performing at the Chicago Jazz Festival in 1992

(Photo: Ronald Heard)

DeJohnette on DeJohnette

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Jack DeJohnette has never been willing to sit still long enough to be categorized.

(Photo: DownBeat Archive)

Eddie Palmieri: Fire on the Clave

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(Photo: Joel Meyerowitz)

Al Foster: A Journeyman Marks Time with Miles

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“One of the reasons that we appear to be not so popular with the so-called ‘jazz’ public is because they expect Miles to be doing something he did five, 10 years ago,” said drummer Al Foster. “This current band is going in another direction, and I think that it’s wrong to put the music down simply because it differs from yesterday. … My favorite musicians today are Miles, Sonny Rollins and Sly Stone. I love the variety available to us. You lose something when you restrict yourself.”

(Photo: DownBeat Archive)

Blindfold Test: Andy Bey

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“To see him is still an experience,” Andy Bey said of Jimmy Scott. “Life force. Still blues-based, still a lot of soul.”

(Photo: Steven Sussman)

The Testimony of Bunky Green

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“I heard Lou Donaldson for the first time, and that down-home feeling of his was a gas,” said Bunky Green about one of his early influences.

(Photo: DownBeat Archive)

Jazz at the White House: Jimmy Carter on Jazz

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The cover image of DownBeat’s Sept. 7, 1978, issue, which featured in-depth coverage of President Jimmy Carter’s jazz picnic party on the White House’s South Lawn. The historic gathering honored and was honored by a history of jazz that embraced everything from ragtime through the avant garde.

(Photo: DownBeat Archives)

Lou Donaldson: Immersed in the Blues

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“If you never suffered, you can’t play the blues,” says Lou Donaldson.

(Photo: Tomas Ovalle)

Dizzy Gillespie: The Candidate Meets the Press

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The candidate and his crew, from left, Kenny Barron, James Moody, Rudy Collins, Dizzy Gillespie, Chris White and Shelly Manne.

(Photo: Robert Skeetz)

Albert Ayler: The Truth Is Marching In

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Albert Ayler

Growing Up Monk

T.S. Monk Jr. on his father, his jazz family and the Monk Institute at 25

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T.S. Monk at home

(Photo: Michael Weintrob)

Esperanza Spalding: In Full Orbit

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At 25 years old, bassist Esperanza Spalding wasn’t overly concerned with marketability.

(Photo: Sandrine Lee/Montuno Productions)

Benny Golson: Fortunate Whispers

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In addition to making significant contributions to the jazz canon’s batch of standards, saxophonist Benny Golson appeared in a pair of films and was photographed in “A Great Day In Harlem.”

(Photo: Oliver Rossberg)

Tomasz Stańko: Soundtrack to Freedom

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Tomasz Stańko

(Photo: Andrzej Tyszko)

Three In The Afternoon: Basie, Ferguson, Teagarden

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Count Basie (1904–1984)

(Photo: DownBeat Archives)

Benny Goodman: From The Inside

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Benny Goodman

(Photo: DownBeat Archives)

Lena Horne: The Horne Of Plenty

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Lena Horne

(Photo: DownBeat Archives)

Tony Williams’ Two Decades Of Drum Innovation

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Tony Williams

(Photo: DownBeat Archives)

Transcontinental Tenorist: Dexter Gordon

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Dexter Gordon (1923–1990)

(Photo: Rob Bogaerts/National Archives of the Netherlands)

Claudio Roditi’s Gentle Fire

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Claudio Roditi (1946–2020)

(Photo: David Gahr)

The Birth Of Cool: Gil Evans

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​Gil Evans (1912–1988)

(Photo: Carol Friedman/gilevans.com)

Genius Of Bop: Thelonious Monk

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Thelonious Monk (1917-1982)

(Photo: William P. Gottlieb/Library Of Congress)

Lennie Tristano: Watered-Down Bop Destroying Jazz

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Lennie Tristano (1919-1978)

(Photo: William P. Gottlieb/Library Of Congress)

Joni Mitchell Makes Mingus Sing

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Joni Mitchell performs in 1983.

(Photo: Creative Commons Attribution 2.0 Generic)

Lee Morgan: Jazz Can Be Sold

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Trumpeter Lee Morgan (1938–’72) performs with the Jazz Messengers on Nov. 15, 1959, at the Concertgebouw in Amsterdam.

(Photo: Nationaal Archief, The Hague)

Impressions of Art Tatum at the Grand Piano

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Art Tatum (1909–’56)

(Photo: William P. Gottlieb/Library Of Congress)

Lee Konitz And Melodic Invention

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Lee Konitz (1927–2020)

(Photo: Jimmy Katz)

Sarah Vaughan and Greatness

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Sarah Vaughan (1924–1990)

(Photo: Nationaal Archief, The Hague)

The Expatriate Life of Stan Getz

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Stan Getz (1927–1991)

(Photo: Lee Tanner)

Lionel Hampton In Action

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Lionel Hampton (1908–2002)

(Photo: DownBeat Archives)

Peripatetic Benny Golson

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Benny Golson genuinely is excited by the opportunity to write good music in any genre.

(Photo: DownBeat Archives)

Woody Herman’s New Creative Kick

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Woody Herman (1913–1987)

(Photo: DownBeat Archives)

Chet Baker’s Tale of Woe

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Chet Baker (1929–1988)

(Photo: DownBeat Archives)

Sun Ra: Orbiting the Sun

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Sun Ra (1914–1993)

(Photo: DownBeat Archives/Impulse!)

Ella Fitzgerald Tells of Trouble in Mind Concerning Discs, Television

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Ella Fitzgerald (1917–’96)

(Photo: Verve)

Jelly Roll Morton: ‘I Created Jazz In 1902, Not W.C. Handy’

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Jelly Roll Morton (1890–1941)

(Photo: DownBeat Archives/Nonesuch)

Billie Holiday for the First Time Tells Why She Left Shaw & Basie: ‘Too Many Bad Kicks’

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Billie Holiday and her dog, Mister, in New York City during February 1947

(Photo: William P. Gottlieb/Ira and Leonore S. Gershwin Fund Collection, Music Division, Library of Congress)

Oscar Peterson on the Jazz Scene in 1954

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Oscar Peterson (1925–2007)

(Photo: DownBeat Archives/Verve)

Mahalia Jackson Finds Her Way

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Mahalia Jackson (1911–1972)

(Photo: DownBeat Archives/Columbia Records)

Ornette Coleman Establishes Contact With Life

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Ornette Coleman (1930–2015)

(Photo: DownBeat Archives/Verve)

Kamasi Washington: L.A. Luminary

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“Doing shows and festivals under your own name, it’s a surprisingly big difference compared to playing with someone else,” saxophonist Kamasi Washington said, discussing the attention he’s received since the release of The Epic (Brainfeeder). “There is a lot of responsibility.”

(Photo: Mike Park)

Galt MacDermot: Heir to ‘Hair’

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Galt MacDermot (1928–2018)

(Photo: Dagmar/DownBeat Archives)

Nancy Wilson: The Baby Grows Up

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Nancy Wilson (1937-2018)

(Photo: DownBeat Archives)

Kenny Werner’s Continuous Pursuit of Piano Mastery

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​Kenny Werner

(Photo: Alessandra Freguja)

The Impeccable Mr. Wilson

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Pianist Teddy Wilson (1912–1986)

(Photo: DownBeat Archives)

Lynne Arriale: Not Just for Jazz Lovers

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Pianist and bandleader Lynne Arriale once told a journalist: “Jazz should not be only for jazz lovers.”

(Photo: Juan Carlos Villarroe)

Randy Weston: ‘We Have To Go All the Way Back’

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Randy Weston at The New School in New York

(Photo: Jimmy & Dena Katz)

The Value of Eric Dolphy

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Eric Dolphy (1928–1964)

(Photo: DownBeat Archives)

How Rock Legend Jack Bruce Built His Jazz and Blues Bona Fides

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Jack Bruce (1943-2014) continued playing jazz and blues while performing in Cream during the 1960s.

(Photo: Marek Hoffmann)

William Parker: His Own ‘New Thing’

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Bassist William Parker is reaching an audience beyond the commercially restrictive categorization he refers to as the “avant-garde ghetto.”

(Photo: Courtesy of the Artist)

Mary Lou Williams: Into The Sun

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Marian McPartland and Mary Lou Williams in 1978, about 14 years after the two spoke for “Mary Lou Williams: Into The Sun,” which originally was published in DownBeat on Aug. 27, 1964.

(Photo: Courtesy of South Carolina Educational Television)

Charles Lloyd: Tender Warrior

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In 2013, ECM reissued Charles Lloyd’s first five albums for the imprint—Fish Out Of Water, Notes From Big Sur, The Call, All My Relations and Canto—as a box set.

(Photo: Courtesy Kurland Agency)

Wes Montgomery: Back Home on Indiana Avenue

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Wes Montgomery plays at the Essex House Hotel in Indianapolis in 1959.

(Photo: ©Duncan Schiedt/Courtesy of Resonance Records)

Sun Ra: Probing Space

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Sun Ra

(Photo: DownBeat Archives)

Jon Hendricks & Annie Ross: Down for Double

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1993 NEA Jazz Master Jon Hendricks at the 2014 NEA Jazz Masters event.

(Photo: Michael G. Stewart, courtesy of National Endowment for the Arts)

Randy Brecker: In Demand

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Randy Brecker

(Photo: DownBeat Archive)

John Abercrombie: The Moment Looks for You

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John Abercrombie (1944–2017)

(Photo: © Deborah Feingold/ECM Records)

Clark Terry: Optimistic Pioneer

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Clark Terry (1920–2015)

(Photo: DownBeat Archive)

Bystander: A Jazz Critic Looks at the Beatles

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The Beatles

(Photo: Courtesy the artist)

Art Blakey: Message Received

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Art Blakey

(Photo: DownBeat Archives/R. Howard)

Terry Gibbs: Vamp Til Ready

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Terry Gibbs

Remembering Larry Coryell

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Larry Coryell performs at The Jazz Kitchen in Indianapolis on May 23, 2015.

Mose Allison: Country Sophisticate

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Mose Allison

(Photo: Michael Wilson)

DownBeat Hall of Fame

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Louis Armstrong was elected into the DownBeat Hall of Fame via the 1952 Readers Poll.

Bobby Hutcherson: California Dreaming

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Bobby Hutcherson (1941–2016) performs at Jazz at Lincoln Center in 2008.

(Photo: Frank Stewart)

Freddy Cole: Melody Man

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Freddy Cole (1931–2020)

(Photo: DownBeat Archive)

Inside The Cannonball Adderley Quintet

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Cannonball Adderley

(Photo: DownBeat Archives)